Unity and Resistance: The Message of Bad Brains

Aaron Gilbreath
20 min readJun 20, 2020

Revolutionary times call for revolutionary music

Those of us who love the Bad Brains always will, but recent vocal protests to end the violent, systematic oppression of Black Americans have revitalized the band’s message of unity and resistance.

Founded in 1977 by four Black men in Washington D.C., Bad Brains blends punk, reggae, metal, and funk, particularly across the course of their first three landmark albums Bad Brains, Rock for Light, and I Against I. Darryl Jenifer plays bass. Gary “Dr. Know” Miller plays guitar. Earl Hudson plays drums, and Earl’s brother Paul “HR” Hudson sings. HR stands for Human Rights, which tells you where they’re at. During forty tumultuous years of playing and breaking up, their revolutionary unit pushed rock music’s sonic and racial boundaries and inspired countless musicians.

“If you ever saw the Bad Brains live, it’s not something you would ever forget,” D.C. filmmaker Scott Crawford told WTOP News in 2016, thirty-nine years after their formation. He first saw them perform when he was 12. He later included Bad Brains in his 2014 documentary Salad Days: A Decade of Punk in Washington, D.C. “It changed my life, and anyone that’s ever heard the Bad Brains, or seen them live, would probably say the exact same thing.” That includes me, a Jewish kid from Arizona. And it includes…

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Aaron Gilbreath

Essayist, Journalist, Burritoist. Longreads Editor. Writing: Harper’s, NYT, Slate, Paris Review, VQR, Oxford American, Kenyon Review. 3 nonfiction books.