A Genre of Myths: A Jazz Reading List

Aaron Gilbreath
15 min readSep 24, 2020

Tommy Potter, Charlie Parker, and Max Roach performing. William Gottlieb/Redferns

I am a jazz devotee, the kind with shelves of jazz books and photos of John Coltrane and Charlie Parker in his home office. Because I love music so much, I want to understand where it came from, and learn about the people who made it.

What is jazz? “It can be said that the entire story of jazz is actually a story about what can urgently be passed down to someone else before a person expires,” Hanif Abdurraqib writes in his book Go Ahead in the Rain: Notes on A Tribe Called Quest. “Jazz was created by a people obsessed with their survival in a time that did not want them to survive, and so it is a genre of myths — of fantasy and dreaming, of drumming on whatever you must and making noise in any way you can, before the ability to make noise is taken from you, or until the noise is an echo in your own head that won’t rest.”

Jazz is a uniquely American creation. People all over the world play it, and no matter how many talented white musicians play it, it was created and primarily redefined by Americans of color. Jazz is music that cannot be separated from the racially divided country that produced its musicians.

“Put it this way,” Duke Ellington said. “Jazz is a good barometer of freedom… In its beginnings, the United States…

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Aaron Gilbreath
Aaron Gilbreath

Written by Aaron Gilbreath

Essayist, Journalist, Burritoist. Longreads Editor. Writing: Harper’s, NYT, Slate, Paris Review, VQR, Oxford American, Kenyon Review. 3 nonfiction books.